Animation Covers 2D/3D graphics used in film/TVC/ broadcast design (i.e. TV trailers/ promos etc) and visual graphics used in 'live' broadcast environment.
Is 3D a revolution or craze? At the NAB Show this year, the most impressive booth featuring this technology was Sony’s - it had a massive LED screen that uses line-interleaved 3D with polarization. All throughout the four-day show it was showing 3D clips of golf games, nature [...]
Singapore - The Media Development Authority (MDA) said recently it is scaling up the capability of Singapore’s media companies to undertake large-scale media projects targeting the international market. Addressing some 300 members of the industry at its annual Media Business Forum, [...]
Singapore – Hewlett-Packard and Cartoon Network named Dylan Stehlik (Australia), Shreyas Aiyar (India), Mohammad Aidy Adham (Malaysia), Jeslyn Seetoh Hui Yi (Singapore), Jonathan Chu (Taiwan) and Elise Finney (Thailand) as its six Individual Country Winners of the inaugural Toon [...]
When the acclaimed Australian movie Samson & Delilah won the top honour of Best Feature Film at the Asia Pacific Screen Awards (APSA), it was a signal that good things were around the corner for Australia made film. Adding to the quotient, Australia also took the honours for Best [...]
When it comes to creating disaster movies for the big screen, Sony Pictures Imageworks has a wealth of experience to draw from. In Cloudy With a Chance of Meatballs, this experience is put to the test as rockets, thunderstorms and earthquakes are replaced with flying hamburgers, [...]
James Cameron’s Avatar achieves several milestones in filmmaking technology. Cameron wrote his first treatment for the movie in 1995 with the intention of pushing the boundaries of what was possible with cinematic digital effects. In his view, making Avatar would require blending [...]
Avatar used Sony high-definition digital cinematography cameras to create a visually immersive 3D experience. The movie combines live action sequences with state-of-the-art special effects and, according to the production teams, the Sony cameras were the right choice to deliver the [...]
The landmark film Avatar is a massively ambitious project that combines live action Stereo3D with cutting edge 3D animation. Around 75 percent of the shots in the movie are VFX shots, which were completed at facilities all round the world and then brought together at US West Coast [...]
James Cameron’s stereoscopic 3D feature film Avatar had numerous stereographic and Holotable displays, animated graphics, immersive environments and other visual effects created by Prime Focus. A team of approximately 90 was spread across Prime Focus’ Los Angeles, Vancouver and [...]
Yokohama, Japan – SIGGRAPH Asia 2009, the region’s largest display of the latest in computer graphics, interactive techniques, and digital media and content, attracted 6,500 visitors from more than 50 countries. More than 500 artists, academics, and industry experts presented [...]