Digital Cinema
The projection of movies in digital format using digital projectors such as the DLP units from TI. Also known as "d-cinema."

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DVS Pronto goes 4K

Digital Cinema, 27 January 2012

Hanover – DVS has launched Pronto4K, the latest in its Pronto line of disk recorders. With the launch of Pronto4K, DVS presents a further development of its renowned disk recorder product line. The new DVS Pronto4K disk recorder allows compressed or uncompressed material from HD

DFT presents FLEXXITY V1.5 for Mac

Digital Cinema, 25 January 2012

DFT Digital Film Technology, provider of film and digital post production solutions that preserve, manage, and deliver pictures, has announced FLEXXITY V1.5 for Mac. In addition to supporting a Linux workflow, FLEXXITY V1.5 for Mac provides the post software tools for dailies, playout,

Blackmagic releases HyperDeck Shuttle 2

Digital Cinema, 20 January 2012

Beijing, China – Blackmagic Design today released a new version of its HyperDeck Shuttle Solid State Disk recorder. HyperDeck Shuttle 2 replaces the existing model and adds broadcast quality 10-bit recording and playback to the Avid DNxHD format. HyperDeck Shuttle 2 is shipping

Annapurna Studios acquires second Mistika 4K system

Digital Cinema, 19 January 2012

Hyderabad, India – Annapurna Studios has expanded its DI operation with the acquisition of a second SGO Mistika 4K DI system at its Hyderabad-based location to expand and future-proof the facility. The new Mistika increases further, the creative power the facility provides its clients. The

Yanobox launches colour grading plug-in Moods

Digital Cinema, 19 January 2012

Boston, Maine– Noise Industries development partner Yanobox, is introducing Moods, a colour grading plug-in with support for Final Cut Pro X; Motion 3, 4 and 5; and Adobe After Effects CS3, CS4, CS5 and CS5.5. Offered at 49 USD, users can download a free trial version of Yanobox

Filmlab takes direct-to-print global

Digital Cinema, 13 January 2012

Mumbai, India – Filmlab, an Indian motion picture processing and digital post laboratories, plans to widen its customer base by tapping into international demand for cost-effective, fast turnaround direct-to-print film services. Having experienced an increase in the volume of

Quantel Pablo takes on The Girl with the Dragon Tattoo

Digital Cinema, 11 January 2012

Newbury, United Kingdom – Hollywood post house Light Iron carried out the 4K DI for David Fincher's 'The Girl with the Dragon Tattoo' with its two Quantel Pablo color correction systems. 'Dragon Tattoo' is among the largest 4K movies ever delivered. At 2 hours and 38 minutes,

Assimilate introduces new Scratch 6.1

Digital Cinema, 11 January 2012

Santa Clara, California – Assimilate, a provider of post-production tools for digital workflows, has shipped the 6.1 versions of its renowned Scratch digital intermediate finishing tool. This updated version offers new features designed to deliver higher productivity and creativity

Cinema EOS C300 debuts in Asia

Digital Cinema, 9 January 2012

Canon Singapore showcased the Cinema EOS System in Asia for the first time as part of the Cinema EOS South East Asia Tour with Vincent Laforet, which will also cover Indonesia and Thailand. The second leg of the tour will cover India. The Cinema EOS system, which includes the

Tippett Relights major films with The Bakery

Digital Cinema, 5 January 2012

Gemenos, France – Visual Effects company Tippett Studio, recently employed the Bakery Relight software for its FX group production pipeline. Scott Singer, Tippett's Digital Effects Supervisor, explained, "We couldn't have completed the work we did on one of our top-secret projects

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