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DFT presents FLEXXITY V1.5 for Mac

Visual Effects, 25 January 2012

DFT Digital Film Technology, provider of film and digital post production solutions that preserve, manage, and deliver pictures, has announced FLEXXITY V1.5 for Mac. In addition to supporting a Linux workflow, FLEXXITY V1.5 for Mac provides the post software tools for dailies, playout,

Media Village sets up learning centre

Visual Effects, 19 January 2012

The Media Village is launching Media Asylum, a learning centre that serves and trains post production & visual effects professionals, in February 2012. The centre will aid students by; providing opportunities to upgrade their skills & hone their craft; helping to build a community

Quantel Pablo takes on The Girl with the Dragon Tattoo

Visual Effects, 11 January 2012

Newbury, United Kingdom – Hollywood post house Light Iron carried out the 4K DI for David Fincher's 'The Girl with the Dragon Tattoo' with its two Quantel Pablo color correction systems. 'Dragon Tattoo' is among the largest 4K movies ever delivered. At 2 hours and 38 minutes,

Assimilate introduces new Scratch 6.1

Visual Effects, 11 January 2012

Santa Clara, California – Assimilate, a provider of post-production tools for digital workflows, has shipped the 6.1 versions of its renowned Scratch digital intermediate finishing tool. This updated version offers new features designed to deliver higher productivity and creativity

Tippett Relights major films with The Bakery

Visual Effects, 5 January 2012

Gemenos, France – Visual Effects company Tippett Studio, recently employed the Bakery Relight software for its FX group production pipeline. Scott Singer, Tippett's Digital Effects Supervisor, explained, "We couldn't have completed the work we did on one of our top-secret projects

Mistika works its magic on The Adventures of Tintin

Visual Effects, 22 December 2011

London, United Kingdom – SGO's Mistika technology was used for all the DI and Stereo 3D post production by post production company Park Road Post, in The Adventures of Tintin. The digital intermediate work in both 2D and Stereo 3D included colour grading, conforming, convergence

Mobile apps take centre stage at SIGGRAPH Asia

Visual Effects, 19 December 2011

Hong Kong – The Hong Kong Convention and Exhibition Center was bustling with activity last week as it played host to Asia’s premier graphics, animation, art, and technology event. Held over four days, the 4th ACM SIGGRAPH Asia Conference and Exhibition brought together more than

SIGGRAPH Asia makes a splash

Visual Effects, 13 December 2011

This year’s SIGGRAPH Asia will see more than 7,000 artists, designers, researchers, manufacturers, developers and trade visitors from close to 50 countries across the globe gather in the Hong Kong Convention and Exhibition Centre, where the annual computer graphics and interactive

Blackmagic Design acquires Teranex Systems

Visual Effects, 9 December 2011

Orlando, Florida, USA – Blackmagic Design has acquired Teranex Systems Inc., a manufacturer of video processing products for the post production and broadcast industries. Teranex is now a wholly owned subsidiary of Blackmagic Design. “Teranex is a strategic acquisition for Blackmagic

PixelBox expands creative services

Visual Effects, 9 December 2011

Hong Kong - PixelBox has announced the addition of global offline editing brand Cut + Run, further expanding the company's already established commercial post-production creative services. Joining the Hong Kong-based team are British offline editors Nick Diss and Chris Szymanski.

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