Visual Effects Covers topics like blue screen, green screen, miniature sets, matte paintings, Rotoscope, Particle effects and dust and scratch removal.
When it comes to creating disaster movies for the big screen, Sony Pictures Imageworks has a wealth of experience to draw from. In Cloudy With a Chance of Meatballs, this experience is put to the test as rockets, thunderstorms and earthquakes are replaced with flying hamburgers,
James Cameron’s Avatar achieves several milestones in filmmaking technology. Cameron wrote his first treatment for the movie in 1995 with the intention of pushing the boundaries of what was possible with cinematic digital effects. In his view, making Avatar would require blending
Avatar used Sony high-definition digital cinematography cameras to create a visually immersive 3D experience. The movie combines live action sequences with state-of-the-art special effects and, according to the production teams, the Sony cameras were the right choice to deliver the
The landmark film Avatar is a massively ambitious project that combines live action Stereo3D with cutting edge 3D animation. Around 75 percent of the shots in the movie are VFX shots, which were completed at facilities all round the world and then brought together at US West Coast
James Cameron’s stereoscopic 3D feature film Avatar had numerous stereographic and Holotable displays, animated graphics, immersive environments and other visual effects created by Prime Focus. A team of approximately 90 was spread across Prime Focus’ Los Angeles, Vancouver and
Yokohama, Japan – SIGGRAPH Asia 2009, the region’s largest display of the latest in computer graphics, interactive techniques, and digital media and content, attracted 6,500 visitors from more than 50 countries. More than 500 artists, academics, and industry experts presented
Australian film Samson & Delilah won the Best Feature Film award at the third annual Asia Pacific Screen Awards (APSA). Produced by Kath Shelper and written and directed by Warwick Thornton, Samson & Delilah previously won the Camera d’Or prize at this year’s Cannes Film Festival
There is no doubt that stereoscopic 3D is the next step that many in the movie industry and manufacturers of consumer electronics alike see as the evolution to delivering quality content to the home theatre market. Just how close are we to this reality? What exactly is available
James Cameron’s Avatar achieves several milestones in filmmaking technology. Cameron wrote his first treatment for the movie in 1995 with the intention of pushing the boundaries of what was possible with cinematic digital effects. In his view, making Avatar would require blending
Kris Trexler is a two-time Emmy award winning video/film editor, and has been honoured with five Emmy nominations during his long career. Trexler has worked with Hollywood’s top television producers and directors, having edited many genres including situation comedies, music videos,
